hip hop class syllabus

We will also investigate specific black cultural practices that have given rise to its various idioms. The projects will serve to expand the focus of the course and may focus on an MC, DJ, group, hip hop art form, local scene, album, track, a genre, a radio format, or any other subject of inquiry so long as it relates to global hip hop and has something new to say about the music in relation to the issues we discuss in class. In-class listening and discussion: “Niggas in Paris” by jay Z and Kanye West and others songs. Professor: Dr. Melisa Rivière. Students also investigate specific black cultural practices that have given rise to its various idioms. ProfessorD.us explains in his course syllabus that the class “explores how HipHop, a quintessential manifestation of African American culture, is adopted and adapted by African youth to fight for social justice and democracy in their local contexts.” The class sets out to answer some of the greatest questions facing humankind. “Forward: Francophone Hip-Hop as Colonial Urban Geography,” Adam Krims, pps vii-x; “Introduction” Alain-Philippe Durand, pps. Students trace the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its 30 year presence in the American cultural imagery. Basic Books, 2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop and Why It Matters. The themes of this class are hip hop music and culture. Hip Hop & Screens: Cultural Representation and Capitalism Summer 2019 Monday-Thursday, 10-11:50am, Villard Hall #300 INSTRUCTOR INFORMATION: Dr. André Sirois aka DJ food stamp aka The Real Dr. Dré™ Office: 263 Knight Library Office Hours: Monday 9-9:50 at CAFE ROMA, and by appointment (directly before or after class) Email: asirois [at] uoregon [dot] edu Phone:… 5�zߤ�u��Q�H��Z��r�Q��8��u�6� �� Hip Hop dance refers to street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. Rux, Carl Hancock. … 12. Rose, Tricia. 5. Office visits or telephone conferences may sometimes be necessary, and can be arranged via email. Proper counting and musicality is also essential ��o�\�W��m��"z�,� xiii-xvii in Black, Blanc, Beur: Rap Music and Hip-Hop Culture in the Francophone World . Short video in class… This is the syllabus for Professor Roneka Matheny's course "Hip-Hop: Evolution and Impact," which is offered by the African-American Studies Program at the College of Charleston in Charleston, SC. Hip hop has invigorated the academy, inspiring scholarship rooted in black musical and literary traditions. 21108 _____ Dear Students and Parents, Please read this syllabus with your child to completely understand all expectations in this class. This course is an exploration of hip-hop culture as it takes shape in different locations around the world. Musica Latina Hip Hop Syllabus Instructor: Andrea Kattoura Email: [email protected] Office Hours: Any day via Skype, set an appointment through email Course Textbooks/Readings: Weekly readings will be assigned. Criteria will be discussed during 2nd week of class (date of midterm TBA). Hip-Hop Course Syllabus - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Midterm: will consist of an in-class dance performance. I would argue that it is precisely in the context of a straightened out hip hop that a queer sociality and definitely a homosociality animates some of hip hop’s most excited moments as the … 13. We will trace the musical, corporeal, visual, spoken word, and literary manifestations of hip hop over its thirty-five year presence in the American cultural imaginary. This course explores the political and aesthetic foundations of hip hop. Regina N. Bradley, Ph.D. DANCE CLASS SYLLABUS Zebulon Gifted and Talented Magnet Middle School 1000 Shepard School Road Zebulon, North Carolina 27597 Letisa Vereen, Dance Director evereen@wcpss.net 919-404-3630 Ext. Midterm: will consist of an in-class dance performance. University Press of Kansas, 2007. Hip Hop Syllabus Take students through this outline accordingly, advancing them when they are ready and breaking down movement as needed. Professor Nkiru Nzegwu, the chair of Africana Studies Department at Binghamton University, developed the first-ever Hip-Hop class in the University history in 2002. This course… Any suggestions for further readings or other resources are greatly appreciated. Hip Hop Cultures Syllabus – p. 4 Week 7 March 8 – 10 Midterms Due in or before class on Thursday, March 10th Week 8 March 15 – 17 No Class - Spring Recess Week 9 Hip Hop Wars, Round 3 March 22 – 24 Rose, T. (2008). Technique and form must be correct before moving on. Hip hop has invigorated the academy, inspiring scholarship rooted in black musical and literary tradit… ... Class, Gender, Sexuality) WIKI4: Hip Hop Across Borders WIKI5: Hip Hop Feminism and Activism WIKI6: Beyond the Four Elements Comments should engage with a specific aspect of the original blog. One written exam (FINAL): on hip-hop and urban street dance styles, their steps and the founders and legendary influences – on Tuesday December 18th. We will also assess these sharp breaks and flamboyant versionings of hip hop style that have occurred within the academy. © 2021 Herberger Institute of Design & the Arts - Arizona State University - Tempe, Arizona CLASS CURRICULUM. Simply knowing the steps and terminology is not enough. we will also teach some Hip Hop and Tap in this combo class. No need for any books Course Description: This course will introduce students to the latino world. As we listen and learn, we will talk about the racial, social, political and economic issues that are bigger than hip hop, but have been tied to the genre and the culture. If you have questions about a break downs please ask. Week 1: What is hip hop and what is the study of hip hop? =��^L5��j��cdb��[,E]�W��#H��?�v0n�ش��v��WON�D��;&�L].w��f�G��ع�^��E�:=�C�j7�-6Lu09-Z,�mf!�nW�N��K,�al/�y��=m�� P(�C��$�.o�r�ϔں�^}�"M�,onEjI��:Jbh�k�y[O��D&��!��lS��W�;ɾO{��l��-[��T�S�W�B�x��.Jp>a��h�j��WU5��]T��EW�j�]ԛ!0T�GwQI=yM�!��C��.ʨG�JI�9��)��f�`��Pc��CX^�£=Y�b��Ԗ�üZ��1�Ө��8*��*,֎��(��Fx/}�[ʅ\�`ċM�N�9_A�rι��k[[��P�Rt��Eʯ΂0� ܊�^��wE��m�1��-�"��\�mW��NVsz�C��R�~��*L~a��.%oIN�B�%Pmd�$�@�7��i��xN�K)�%t�w��[�-liQ��Z��Ձ�ފ�s{�˭��D�� ㎒�-S��j��L�'��9��#��'��n��-��Ǆ��į0�nP��i��Y��1,J0�u�� ö�]:!��ߒɵ��N2'�9�&.�$"2��f��w�^��B ��р+E�ݣ 9/R�3��-�L��osi5��7��4�s�0iQ��D��Cd� This class aims to introduce you to the world of hip-hop by examining recordings, music videos, films, fashion, dance styles and other creative media relevant to the development of hip hop culture. This class will be taught in discussion format with a minimum of lecturing. The Hip Hop Studies Reader, New York: Routledge, 2004, pp. 5. Hip Hop Syllabus: AME/MUS 303 Hip Hop: Art, Culture, and Politics By Sarah Hentges *SEE NOTE . This syllabus was originally created by Gandalf Archer and Ginny Crocker. Groups of 4-5 ... Microsoft Word - Hip Hop SYLLABUS .doc Author: kstanford Created Date: Southern Hip Hop Syllabus. Hip Hop Syllabus: AME/MUS 303 Hip Hop: Art, Culture, and Politics In 1995, Atlanta, GA, duo OutKast attended the Source Hip Hop Awards, where they won the award for best new duo. It includes a wide range of styles which were created in the 1970s and made popular by dance crews in the United States. I am posting it here for easy access. August 21st: Intro to the class. This class explores the political and aesthetic foundations of hip hop. Anthropology of Hip-Hop in a Global Perspective. One written exam (FINAL): on hip-hop and urban street dance styles, their steps and the founders and legendary influences – on Wednesday December 19th. The class will observe and examine the development of the cultural movement known as Hip Hop, which includes Rap music, public speech, dance, graffiti art, and clothing styles. This is the syllabus for Professor Roneka Matheny's course "Hip-Hop: Evolution and Impact," which is offered by the African-American Studies Program at the College of Charleston in Charleston, SC. Through class readings, group exercises and performance, students learned the history and hip-hop emergence in global and cultural … Syllabus: MUS 362 Rap Music and Hip Hop Culture – Spring Session A (2021) #16641, #16642 Staff: Prof. Jerry Rulon-Maxwell Contact Information: Class E-mail: MusHipHop362@gmail.com Students will use this email address for any questions or concerns. Criteria will be discussed during 2nd week of class (date of midterm TBA). G riots Republic reached out to Global Hip- Hop Connoisseur and radio host, Natalie Crüe, for a suggested reading list for readers wanting to learn more about hip-hop as an art form and a social movement. Hip Hop Dance ACTY 093A ─ Fall 2019 University of the Pacific Instructor: Meghan A. Harper Email: m_harper3@u.pacific.edu Day/Time: Monday and Wednesday, 11:00am- 11:50am Location: Baun Fitness Center Studio Office Hours: By Appointment Only Course Description: In the course you will learn history, styles, skills, and Present day students to the latino world About hip Hop style that have occurred within academy. Rap music and hip-hop culture as it takes shape in different locations around the world ��g��i5! Body placement and alignment, together with the need for individuality and personal style steps and terminology not! Wide range of styles which were created in the 1970s and made popular dance. Wide range of styles which were created in the 1970s and made popular by dance in... 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