This was the first society that attempted to free modern Egyptian art from the bonds of the academism and formalism then prevailing. In the prison no newspapers or books were allowed. Discover (and save!) CAIRO – 16 April 2019: Google honored acclaimed late Egyptian painter and feminist Inji Aflatoun on April 16 with a Google doodle to celebrate what would have been her 95th birthday. [6] Her paintings are filled with "lively brushstrokes of intense color" reminding some observers of Van Gogh[3] or Bonnard. Inji Aflatoun (16 tháng 4 năm 1924 - 17 tháng 4 năm 1989) là họa sĩ người Ai Cập và là nhà hoạt động trong các phong trào của phụ nữ. One can see that in her later paintings. Tahia Halim (Egyptian, 1919–2003) was a painter celebrated for her poetic and folkloric images of Egypt, frequently depicting boats on the Nile, Nubian women, and domestic life. Other moving paintings are those that capture scenery outside the prison walls through the bars. “When I first entered the prison I had a strong urge to draw and not to give in to the reality,” she writes in the memoirs. Courtesy Barjeel Art Foundation After her release in 1963 she dedicated most of her time to painting, and later in her career she focused on landscapes. [7] It was her private art tutor,[6] Kamel el-Telmissany, who introduced her to the life and the struggles of the Egyptian peasants. Her mother, a divorcee, opened the first tailoring shop run by a woman. (Courtesy Safarkhan Art Gallery) 8 / 8. View auction details, art exhibitions and online catalogues; bid, buy and collect contemporary, impressionist or modern art, old masters, jewellery, wine, watches, prints, rugs and books at sotheby's auction house. [8] She discovered Marxism at the Lycée Français du Caire . Lan Nansa was photographed by students and used as a political flyer, which led the authorities to take it down and return again later. It is in prison that Aflatoun came to appreciate nature very much. Inji Efflatoun was born to a bourgeois family in Cairo. Inji Aflatoun (16 April 1924–17 April 1989) was an Egyptian painter and activist in the women’s movement. Not abiding by these rules, Aflatoun was expelled starting her long history of rebellion. See more ideas about egyptian art, egyptian, art. Jun 2, 2016 - This Pin was discovered by Art Lover. One can get a sense of the serenity that she was experiencing there. Alqassemi’s lecture was centered around works of art that addressed the Israeli-Palestinian conflict, the Algerian War of Independence, artist Inji Aflatoun, and the Iran-Iraq War. The exhibition is located in Amir Taz Palace, and displays around 60 pieces of her artworks as well as photographs of hers, autographs by people commenting about her exhibitions, newspaper and magazine articles about her as well as her paintbrushes. Egyptian artist Inji Eflatoun’s ‘Prisoners’ (1957) is one of more than 120 paintings and sculptures of the Barjeel Art Foundation on semi-permanent exhibition at Sharjah Art Museum. Postmodern Art More information Inji Aflatoun 1924 - 1989 L'OR BLANC (WHITE GOLD) signed and dated 63; signed and titled on the stretcher oil on canvas 66.5 by 79.5cm. ⓘ Inji Aflatoun. “She was a very humble and genuine person,” he continued. your own Pins on Pinterest. View auction details, art exhibitions and online catalogues; bid, buy and collect contemporary, impressionist or modern art, old masters, jewellery, wine, watches, prints, … Inji Aflatoun (Arabic: إنجي أفلاطون; 16 April 1924 – 17 April 1989) was an Egyptian painter and activist in the women's movement. Inji Aflatoun pursued free studies in art. Description: INJI EFFLATOUN (EGYPTIEN, 1924-1989) Composition surréaliste signé et daté 'Inji 42' (en bas à droite) huile sur toile, non rentoilée 70 x 60,2 cm. “My main desire during that time was to express the reality and the dreams of the working man that toils under horrendous working conditions without a law that protects him,” she writes “I wanted to reveal the exploitation of man to man.”. The doodle portrayed the great artist in front of her canvas of surrealist and cubist paintings. [5] In 1956 she became friends with and was later influenced by the Mexican painter David Alfaro Siqueiros. “Many talk about Inji Aflatoun as an artist first and foremost, but this is not true. ... Inji Aflatoun. Egyptian artist and feminist Inji Aflatoun is being celebrated on what would have been her 95th birthday - If you’ve been on Google this morning, you’ve probably noticed today’s Google Doodle honouring Egyptian artist and women’s rights activist Inji Aflatoun, on what would have been her 95th birthday. Art Education, vol. Art. During that time she had moved on from the surrealist style since it no longer expressed her thoughts and leaned towards realism. Her work focuses on exploring the notion of urban communication. Through her site-specific murals, she investigates ideas concerned with the surrounding public spaces. Inji Efflatoun is known for Abstract figure, landscape and rural scene painting. Today’s Doodle celebrates Inji Aflatoun, the Egyptian painter and author remembered as a trailblazing modern artist and pioneering feminist. Art (3695) Ceramics & Pottery (7599) Decorative Art - General (80) Ethnographic & Indigenous Artifacts (2784) Glass (8793) Greek, Roman & Egyptian Antiquities (1991) Porcelain & China (6277) Silver & Vertu (6252) View All Decorative Art. Inji Efflatoun — AWARE Women artists / Femmes artistes Inji Efflatoun was born in 1924 to a wealthy family from Cairo’s French-speaking aristocracy. [16], A Google Doodle on 16 April 2019 commemorated Aflatoun's 95th birth anniversary. View All Asian Art & Antiques; Asian Art & Antiques - General (513) Chinese Art & Antiques (25489) Indian & South Asian Art & Antiques (704) Japanese Art & Antiques (3775) Korean Antiques & Art (63) Southeast Asian Art & Antiques (736) More. The exhibition is open every day from 10 am till 4 pm except on Friday at Amir Taz Palace located in 27, Al-Syoufiya Street, Al-Khalifa district. These popular[5] political pamphlets linked class and gender oppression, connecting both to imperialist oppression. Her paintings were about Egypt, Egyptian people, and very often their suffering, infused with an emotional immediacy that maintains its strength to this day. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s", as well as a "pioneer of modern Egyptian art" and "one of the important Egyptian visual artists". BARJEEL ART FOUNDATION Mailing Address Emirates Sail Tower, Level 4P Corniche Street, Buhairah Corniche Buhairah Corniche Al Majaz 3, Sharjah +971 6 569 1112 inji aflatoun إنجي أفلاطون إنجي أفلاطون . [6] A collection of her works is displayed at the Amir Taz Palace in Cairo. The doodle shows Aflatoun with her canvas of surrealist and cubist paintings, the ones that made critics call her “pioneer of modern Egyptian art,” according to Google’s description of the creative talent. The doodle shows Aflatoun with her canvas of surrealist and cubist paintings, the ones that made critics call her “ pioneer of modern Egyptian art, ” according to Google’s description of the creative talent. Saved from contemporaryartdaily.com. Keywords: memoir, New Historicism, Inji Aflatoun, Egyptian modern history, Egyptian feminist movement, political activism. 1924 - 1989. Jun 2, 2016 - This Pin was discovered by Art Lover. Her early prison paintings are portraits, while the later are landscapes. Her mother became her … Explore. She wondered how such an injustice could be seen in a place dedicated to asceticism. She was also a … Inji Aflatoun was an Egyptian painter and activist in the womens movement. Having taught the course at New York University, Yale, and Georgetown, Alqassemi’s passion for this subject was evident throughout the lecture. Upon noticing her passion for art and painting, her parents put her under the mentorship of artist Kamel al-Timisani, who introduced her to surrealist and cubist aesthetics. Aside from her conceptual approach, her vibrant, comical works transmit a sense of simplicity and controversy. She was a “leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s”, as well as a “pioneer of modern Egyptian art” and “one of the important Egyptian visual artists”. Inji Efflatoun, the pioneer female artist and activist, is a shining example of the very best of modern Egyptian art. Aside from her conceptual approach, her vibrant, comical works transmit a sense of simplicity and controversy. Inji Efflatoun Eflatoun; Aflatoun; ... "Inji Efflatoun, Art, Feminism and Politics in Egypt." Her family is of the bourgeoisie class and through the early part of her life she was living like many of that class, sheltered and detached from the Egyptian society. Her political activism was the more important aspect,” said the artist Ezzedine Naguib, who had known her personally. View items sold at auction. This was the first society that attempted to free modern Egyptian art from the bonds of the academism and formalism then prevailing. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in … Contemporary Art. Inji Aflatoun was born in Cairo, April 16, 1924, in an upper-class Francophone family and her paintings greatly reflected the struggles of the working class in Egypt. Jun 2, 2016 - This Pin was discovered by Fairouz Fawzy. In the post-1940 Egyptian movements that she was at the forefront of, the particular lens through which Inji produces her drawings is presented within the socio-political prism of … Further Reading Abaza, Mona (Introduction). In 1953, 1954 and 1956, the main subject of her paintings was the countryside and the lives of women there. [5] During these trips, she had the opportunity to "penetrate the houses and sketch men and women at work". See more ideas about egyptian art, egyptian, art. Oct 11, 2016 - In the Woman’s Prison, Inji Efflatoun - SafarKhan Gallery, Cairo Her mother, a divorcee, opened the first tailoring shop run by a woman. However, that was not the first prison in her life. [7] In 1949, she became a founding member of the First Congress of the First Peace Council of Egypt. However, she surprised him with her bold paintings that screamed out with striking colours. When she thought she was about to get arrested, she held an exhibition and then disappeared completely. [6] Her private art tutor, Kamel el-Telmissany, a leader in an Egyptian Surrealist collective called the Art and Freedom Group,[13] introduced her to surrealist and cubist aesthetics. In the post-1940 Egyptian movements that she was at the forefront of, the particular lens through which Inji produces her drawings is presented within the socio-political prism of … [9] Al-Timisani was one of the founders of the 'Art and Freedom Group,' a surrealist movement that would have an impact on Aflatoun's development as an artist. The paintings in prison are the most captivating and the portraits of women inside the prison have the most expressive face with eyes full of horror. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s", as well as a "pioneer of modern Egyptian art" and "one of the important Egyptian visual artists". “I, who speak French, have wasted eighteen years of my life in this cellophane-wrapped society. The school, which infused in the girls a sense of alienation from Egyptian culture, had very ardent rules that Aflatoun rebelled against from a young age. Until the age of 17 my language was French and even when I started dealing with the people I couldn’t get rid of this complex,” writes the artist and activist Inji Aflatoun in a sincere and confessional tone in her memoirs. Discover (and save!) Saved by Nora. She further pursued her art education under the tutelage of Kamel El Telmissany, one of the founders of the Art and Freedom movement. “Many talk about Inji Aflatoun as an artist first and foremost, but this is not true. "[6], During school, Aflatoun liked to paint and her parents encouraged her. [5] She later recalled that people were astonished by her paintings and wondered "why a girl from a rich family was so tormented". She not only portrays the fields but leaves a lot of white space in the painting, unlike her previous paintings. Painter. Badran, Margot. Inji Aflatoun (Arabic: إنجي أفلاطون; 16 April 1924 – 17 April 1989 ) was an Egyptian painter and activist in the women's movement. [17], "Permanent art exhibition of activist Inji Aflatoun opens at Amir Taz Palace", "Egypt's Museums: Amir Taz Palace relates story of artist and activist Inji Aflatoun", Work by Inji Aflatoun at the Jordan National Gallery of Fine Arts, https://en.wikipedia.org/w/index.php?title=Inji_Aflatoun&oldid=974353697, Short description is different from Wikidata, Wikipedia articles with CINII identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 August 2020, at 14:20. DUBAI: Inji Aflatoun, one of Egypt’s best-known painters and a leading feminist, was honored today with a Google Doodle to celebrate what would have been her 95th birthday. BARJEEL ART FOUNDATION Mailing Address Emirates Sail Tower, Level 4P Corniche Street, Buhairah Corniche Buhairah Corniche Al Majaz 3, Sharjah +971 6 569 1112 Inji Efflatoun quickly asserted her political stance in “Art et Liberté” by engaging in intense militant activity for the better part of fifteen years as from 1940. Efflatoun recounts in her memoirs “From my childhood to prison,” how her ultimate source of happiness in her childhood was when she was painting. What also repelled her greatly from the school was the noticeable class structure. Inji Efflatoun was born to a bourgeois family in Cairo. Born in 1924, to a wealthy, Muslim family who lived in Cairo’s French-speaking aristocracy, Inji Aflatoun (sometimes written as Efflatoun) began painting at school before making it her professional career and showcasing individual exhibits in Cairo, Alexandria, the Venice Biennale in 1952 and the São Paulo Art Biennial in 1956. Inji Efflatoun was an artist and political activist born into an upper-class francophone family of landowners in 1924. Preferred Access. Her work focuses on exploring the notion of urban communication. 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Art. Her paintings of that period are influenced by surrealism. Tarqab (expectation), c. 1940, ink on paper by Inji Aflatoun. Inji Aflatoun pursued free studies in art. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s", as well as a "pioneer of modern Egyptian art" and "one of the important Egyptian visual artists". Venice: Inji Efflatoun at The Central Pavilion. Art. Inji Aflatoun (Arabic: إنجي أفلاطون ; 16 April 1924 – 17 April 1989) was an Egyptian painter and activist in the women's movement. 45, no 2, March 1992, pp. [5] In the years after her liberation, she exhibited in Rome and Paris in 1967, Dresden, East Berlin, Warsaw and Moscow in 1970, Sofia in 1974, Prague in 1975, New Delhi in 1979. In the short documentary at the exhibition, Aflatoun recaps her life during her old age as she walks through the fields in the countryside and draws the little children. Since 1942, she participated in the exhibitions of the avant-garde, "Art and Freedom Group". View All Asian Art & Antiques; Asian Art & Antiques - General (513) Chinese Art & Antiques (25489) ... Inji Elfatoun, Inji Afflatoun, Inǧī Aflātūn, Inji Aflatoun, Inji Efflatoun. However, this did not take long as she was arrested and taken to the Qanater prison. Born in Donkola, Sudan, Halim grew up in Cairo, Egypt, where he father was a laureate of King Fouad. She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s", as well as a "pioneer of modern Egyptian art" and "one of the important Egyptian visual artists". Since 1942, she participated in the exhibitions of the avant-garde, "Art and Freedom Group". She was a "leading spokeswoman for the Marxist-progressive-nationalist-feminist movement in the late 1940s and 1950s",[2] as well as a "pioneer of modern Egyptian art"[3] and "one of the important Egyptian visual artists". [7] She wrote Thamanun milyun imraa ma'ana (Eighty Million Women with Us) in 1948 and Nahnu al-nisa al-misriyyat (We Egyptian Women)[11] in 1949. The doodle features Aflatoun in front of her canvas of surrealist and cubist paintings, which led critics to call her a “pioneer of modern Egyptian art,” according to Google’s description of the creative talent. Owning a personal book or reading a book in private was forbidden, as was making friends with other girls, chatting in the break and even looking in the mirror. Aug 13, 2015 - Venice: Inji Efflatoun at The Central Pavilion. [12] After her release in 1963, Egypt's Communist party having been dissolved,[6] she devoted most of her time to painting. She even confessed in the documentary that she wants to get away from the artificiality of the city life, before riding on a donkey and leaving. ; 26 1/8 by 31 1/4 in. Today’s Doodle celebrates Inji Aflatoun, the Egyptian painter and author remembered as a trailblazing modern artist and pioneering feminist. Soldier (Fedayeen), 1970, oil on canvas on wood by Inji Aflatoun. your own Pins on Pinterest. [6] She describes her exposure to a different side of the society that she did not know much about as she talks about women getting imprisoned to cover up for their husband’s dealing in drugs or a woman who killed her father for forcing her to marry a much older man. Postmodern Art. Inji Aflatoun Inji Aflatoun (Arabic: إنجي أفلاطون ; 16 April 1924 – 17 April 1989) was an Egyptian painter and activist in the women's movement. The doodle denotes the Egyptian painter’s 95th birthday celebration, and exhibits Aflatoun before her canvas close by significant works in her unmistakable painting style behind her. Since then her brush captured grim pictures of the women in prison and the solitary mood of the confined space. Inji Aflatoun (16 tháng 4 năm 1924 - 17 tháng 4 năm 1989) là họa sĩ người Ai Cập và là nhà hoạt động trong các phong trào của phụ nữ. Its blood was sneaking up upon the man to choke him and get its revenge. In her memoirs she describes her stay in prison in a very poignant manner. [8] She was arrested and secretly[6] imprisoned during Nasser's roundup of communists in 1959. With time, she made a deal with the head of the women’s prison, who liked drawing as well, that she would paint on condition that it would become the prison’s property. إنجي أفلاطون 2- Inji Aflaton (1924-1989) She is painter and feminist who expressed the worries of Egyptian women in her paintings and writings. Inji Aflatoun was an Egyptian painter and activist in the women's movement. The mother nun, who came from a wealthy family received all the privileges within the convent, while the sister nuns, who came from poorer backgrounds did not receive the same privileges. At first she wasn’t allowed to paint the prison but when an officer came in and asked what she drew and she replied that she is not allowed to draw the prison, the officer told the head of the prison: “You have Inji Aflatoun here. [5] She studied for a year[8] with the Egyptian-born Swiss artist Margo Veillon[14] During this period, she made individual exhibits in Cairo and Alexandria and showed at the Venice Biennale in 1952 and the São Paulo Art Biennial in 1956. involvement in the feminist movement, and finally her art as a form of both social and political resistance. Aflatoun, born in 1924 has weaved her path in life through breaking well-established orders. She was strongly influenced by old Egyptian art, and is considered a master of the Expressive Movement in 1960s Egypt. She was being mentored by the Egyptian artist Kamel El-Telmesany, who had later confessed to her that at first he was not very eager to teach a girl from the bourgeoisie class, who only learned painting as part of a package of learning knitting, piano and cooking. Aya Tarek is a painter and street artist who lives and works in Alexandria, Egypt. Egyptian artist and feminist Inji Aflatoun is being celebrated on what would have been her 95th birthday - If you’ve been on Google this morning, you’ve probably noticed today’s Google Doodle honouring Egyptian artist and women’s rights activist Inji Aflatoun, on what would have been her 95th birthday. The doodle portrayed the great artist in front of her canvas of surrealist and cubist paintings. Four of her important paintings of that exhibition were Roohy enty Taleka (Leave, you are free), El-Zawga El-Rabaa (The fourth wife), Yaamal Kalregaal (They Work like Men) and Lan Nansa (We won’t forget), in which she has drawn upon the mass demonstrations that took part on 15 November 1951. A permanent exhibition has been recently opened for the artist, who is identified with her political activity as much as her art. Since 1942, she participated in the exhibitions of the avant-garde, "Art and Freedom Group". Critics described Aflatoun as a "pioneer of modern Egyptian art". For those ignorant, Inji Aflatoun was born back in 1924, to a wealthy … Inji Efflatoun (1924 - 1989) was active/lived in Egypt. But Aflatoun’s ideology and fighting spirit enriched her work, and her work, in turn, enriched her activism. [10] In 1942, she joined Iskra, a Communist youth party. Feb 27, 2019 - Explore Sahar Abdel Aty's board "Inji Aflatoun", followed by 302 people on Pinterest. In her memoirs she writes about a tree that she always drew from behind bars and her inmates called ‘Inji’s tree’. Since that day, I took off without limitations or hesitations, painting and recording everything I want inside the prison. [15] Her art of later years is characterised by an increasing use of large white spaces around her forms. [5] She was able to continue painting during her imprisonment. She further pursued her art education under the tutelage of Kamel El Telmissany, one of the founders of the Art and Freedom movement. A founding member of the avant-garde, `` art and Freedom movement did take... The painting, unlike her previous paintings, New Historicism, inji Aflatoun ( 1924–1989 was. Sneaking up upon the man to choke him and get its revenge brush grim. A storm over rocks to escape from a bird of prey rules, Aflatoun liked to and. School was the first society that attempted to free modern Egyptian art,,. 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Speak French, have wasted eighteen years of my life in this cellophane-wrapped.. Longer expressed her thoughts and leaned towards realism the Central Pavilion Efflatoun, the pioneer female artist and,! [ 5 ] she joined Harakat ansar al salam ( movement of the very best of modern Egyptian ''., Aflatoun liked to paint and her own upbringing and rural scene painting involvement the! Donkola, Sudan, Halim grew up in Cairo and get its revenge on canvas on wood by Aflatoun.
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