She has danced with Alvin Ailey Dance Theatre Workshop and performed in the national tour of Sesame Street Live!. A graduate of Moscow Conservatory College (Russia), Ms. Bazilevskaya was the musical director of Ballet Hispanico for seven years, as well as Gelsey Kirkland Ballet for six years. Anya likes to nourish and challenge her students, and most importantly, guide them to access their full potential. She is thrilled to be a member of the BAE faculty. Amanda Johnson is originally from North Carolina. It continued at Novosibirsk Conservatory, where she worked with both instrumentalists and vocalists. In addition to ballet, Amanda is also a licensed Zumba instructor. Lacey is thrilled to lead a LEGACY of her own. In 2017 l appeared again on Broadway in Hello, Dolly! Concerts: NY Philharmonic, Cincinnati Pops, Hollywood Bowl Orchestra, Boston Pops, and NY Pops. as well as the highly acclamed Broadway PRoduction of Mathew Bourne’s “Swan Lake”. A few of the new ballets created on him were Lambros Lambrou’s Byzantium, Remembrances, The Rite of Spring, and Stanton Welch’s Orange. He then returned to the School to resume his studies and was selected by Helgi Tomasson, Artistic Director of San Francisco Ballet, to perform in a world premiere ballet created especially for the 1996 Spring Student Showcase. As an avid dance enthusiast for many years, Ayako is literate in the technical aspects of ballet and is thoroughly familiar with the vast ballet repertoire. ... outreach from major companies like American Ballet Theater and New York City Ballet, and support from ballet lovers all … In 2009, Cassidy performed in American Ballet Theatre’s production of Le Corsaire, and, at age 11, began training at Ballet Academy East in New York City under the direction of Darla Hoover. She accompanied ballet classes at the Usdan Center for Performing Arts, where she was very lucky to meet Francis Patrelle, who brought her into the world of dance. Primary and Enrichment Division classes, for ages 6-13, begin on September 21st with both in-studio and virtual program options. Mr. Crabtree has appeared as a principal quest artist with Pacific Northwest Ballet, Festival Ballet Providence, Ballet Austin, and The Daring Project. She has been on faculty at Ballet Academy East since 2005, teaching in the PreBallet, Primary, PreProfessional, and Adult Open Class Divisions. Yuki has been a faculty member at BAE since 1998. Born in Rio de Janeiro, Ana Luisa Baptista currently performs with Ballet for Young Audiences. His first accompanying position upon his arrival in New York, more than 25 years ago, was at Ballet Academy East, a position he gladly holds to this day. While there, Cassidy had the opportunity to perform principal roles in ballets choreographed by Jenna Lavin, Margo Sappington, Alan Hineline, Matthew Neenan and George Balanchine. Hineline served as CEO for Central Pennsylvania Youth Ballet (CPYB) from 2009 to 2014. He was in the ensemble of the national tour of Flashdance the Musical (based on the iconic 80’s film) under the directorship of Tony Award-winning choreographer, Sergio Trujillo. Official for a behind the scenes look at the Academy's daily classes and events! 111 East Sanford Blvd.Mount Vernon NY, 10550, Mon-Fri: 4:30pm - 6:00pmSat: 12:00pm - 1:30 pmSun: Closed. He originated featured roles in Val Caniparoli’s Torqueand Nicolo Fonte’s Almost Tango and Within/Without. Some favorites include 5 years with the New York Renaissance Faire, touring with orchestras, playing Broadway shows in Europe, 9 years performing on the Delta Queen Steamboat, and 5 years performing on the American Orient Express train. She received a BFA in Dance Performance from Oklahoma City University. She went on to receive scholarships to study at both the School of American Ballet and American Ballet Theatre School. In 2005, Mr. Baud joined the Pennsylvania Ballet under the directorship of Roy Kaiser and would perform principal roles in ballets by Jerome Robbins, Peter Martins, George Balanchine, and many more. Richard Tanner’s Ancient Airs and Dances and Soirée. Ballet Academy East 1651 Third Avenue 3rd Fl New York NY 10128. She has been seen on television and video in Live From Lincoln Center: Raymonda, Giselle, Swan Lake, Les Sylphides, Sleeping Beauty, Don Quixote, and Billy the Kid, as well as Baryshnikov with Twyla Tharp, Baryshnikov’s Nutcracker, and Don Quixote with Julio Bocca. Mr. Beloserkovsky’s Siegfried in Ballet Theatre’s new Swan Lake also brought critical acclaim: “To see Irina Dvorovenko and Maxim Beloserkovsky step into the leading roles of Swan Lake was to see two outstanding dancers outdo themselves and enhance a 19th century classic with a splendid and mature performance.” “It is up to the principals to bring depth to the plot through their dancing. in Commercial Dance from Pace University with concentrations in choreography and pedagogy. Kids, beginners, and adults are welcome. Jamie shares her passion for ballet with her students in a positive and nurturing environment, emphasizing clean technique, proper alignment, kinesthetic awareness and musicality, while using imagery and hands-on physical corrections throughout the class. In 2018, she earned a BFA in Dance, with a Ballet concentration, and a BA in Business, with a Leadership concentration. Upon his return to the United States he conducted or was production pianist for Broadway, off Broadway, National Tours “Phantom of the Opera” “Les Miserables”, “Gypsy” (with Tyne Daly), “The Fantasticks”, “Little Shop of Horrors”, “Evita”, “A Chorus Line”, “Sweeney Todd”, Best Little Whorehouse in Texas”. Miles brings a special expertise to dance, having been Company Pianist for American Ballet Theater for 12 years, where he worked with such artists as Mikhail Baryshnikov, Cynthia Gregory, Cheryl Yaeger, Susan Jaffe, Fernando Bujones, Rudolph Nureyev, and Margot Fonteyn. She received an MA from the Teachers College at Columbia University. With these companies he performed in Paquita, Romeo and Juliet, Carmen, Esmerelda, Flower Festival, and La Sylphide. While attending the school, she was given the opportunity to perform at The Joyce Theater. Mr. Crabtree has performed the roles of Slavemaster/Solo Dancer for the Broadway and National tour productions of Phantom of the Opera. Chloé Sherman joined The Joffrey Ballet in 2016. At San Francisco Ballet, Mr. Garcia’s featured roles included Balanchine’s Apollo, The Four Temperaments, “Rubies” from Jewels, Prodigal Son, Square Dance, Symphony in C, Tarantella, and Tschaikovsky Pas de Deux; William Forsythe’s The Vertiginous Thrill of Exactitude; Jerome Robbins’ Dances at a Gathering, Dybbuk, Fanfare, Glass Pieces, and Other Dances; Helgi Tomasson’s Giselle (Albrecht, Pas de Cinq), Romeo and Juliet (Romeo, Benvolio), Sleeping Beauty (Bluebird, Pas de Six), Swan Lake (Prince Siegfried, Pas de Trois, Neopolitan), and Mr. Tomasson and Yuri Possokhov’s Don Quixote (Basilio); and Christopher Wheeldon’s Polyphonia and There Where She Loved. Primarily trained in New York, she has studied and worked in many different styles from ballet to lyrical, modern, tap, hip-hop, contemporary, and musical theatre. made his Carnegie Hall debut in Candide directed by Gary Griffin and choreographed by Josh Bergasse. Whitney studied at Carnegie Mellon University, earning both a Bachelor of Fine Arts and a Master of Music in Piano Performance. This is what Ms. Dvorovenko and Mr. Beloserkovsky did with unusual technical polish.” (The New York Times). Lorna received her training at the School of American Ballet and the American Ballet Theater School. Ms. Gelinas is the rehearsal director for the New York Dance Project. Danielle is currently Assistant Choreographer and dancer for Keiko Fujii Dance Company based in Osaka, Japan. Mr. Garcia was invited to perform Balanchine’s Ballo della Regina with New York City Ballet as part of the company’s Balanchine Centennial Celebration in 2004. Former teachers include Anatole Vilzak, Stanley Williams, Alexandria Danilova, Andrei Kamarevsky, and Gabriella Darvash, with whom he trained extensively. In 1989, he danced the title role of Oscar Wilde in the premiere of the Irish National Ballet’s production of “Oscar,” choreographed by Domy Reiter-Soffer. Broadway Credits, as Associate, Assistant, and Resident Choreographer include: The Red Shoes, Carousel, Big, Matthew Bourne’s Swan Lake, Oklahoma!, A Year with Frog and Toad. Cheryl joined American Ballet Theatre in 1976, was promoted to soloist in 1981, and then became a principal dancer in 1986. Stacey Calvert was born and raised in Columbia, South Carolina and began her ballet training at the Calvert-Brodie School of Dance, studying with her Mother and Godmother. In 1997 Mark was inducted into the national registry of “Who’s Who” for excellence in the field of Dance.In Florida, Mark was the Artistic Director of the Bay City Ballet, a pre-professional dance academy that provides the highest form of training in Ballet, Pointe, Tap, Theater Dance. Recently, Ashley was featured in the original dance film “Here We Go Again” (dir. Since then she has worked with Ballet Metropolitan of Caracas in Venezuela, Ballet International under the direction of Eldar Aliev, Ballet Concierto of Puerto Rico, Ballet Jorgen Canada in Toronto, Thomas/Ortiz in NYC and as Principal dancer with Connecticut Ballet, Covenant Ballet, Dances Patrelle and Rebecca Kelly Ballet. In that same year, she was also invited to teach at the Hong Kong Academy for the Performing Arts. Emma Pajewski of Pittsburgh, Pennsylvania, started her dance training with Beth A. Walter before joining Pittsburgh Ballet Theatre School under the direction of Marjorie Grundvig and Dennis Marshall. Although Lacey trained primarily in ballet, she also studied modern, jazz, tap, and African. In 1995, he attended the summer session at San Francisco Ballet School. Each year, Ms. Mahler is invited by the prestigious Rancho La Puerta Spa in Tecate, Mexico, to return as a Specialty Presenter for its Ballet Week. Amanda has been a member of the BAE faculty since 2013 and was appointed as Principal of the Young Dancer Division in January, 2020. In 2012 she moved to New York City to attend Ballet Academy East. She trained at the School of American Ballet for five years before attending Barnard College of Columbia University. Sarah began at Ballet Academy East through assisting the Summerdance program in 2016. See local teachers rated by the New York community. In 2004 he performed John Clifford’s Casablanca, which premiered in Beijing. Austin maintains an active and busy life in the arts and music scene of New York City. Find 5 listings related to Ballet Academy East in New York on YP.com. In addition, Mr. Garcia created the roles of Nutcracker Prince in Mr. Tomasson’s Nutcracker and Aminta in Mark Morris’s Sylvia, and originated a role in Mr. Wheeldon’s Continuum. Colleen has been a ballet accompanist for the past five years. Hineline returned to the CPYB faculty with a broad range of international teaching credentials. Julie has trained at North Carolina School of the Arts, Pennsylvania Ballet School, and Joffrey Ballet School, among others. CONTACT. He began dancing at fourteen and trained under full scholarship at both the San Francisco Ballet School and the School of American Ballet. After eight months he returned to New York and joined the cast of Silence! The following week Mr. Hanna joined the national tour cast of Twyla Tharp’s Come Fly Away in the role of Sid. Current and new students are welcome. Jamie Rae joined Taylor 2 in fall 2003, and became a member of the Paul Taylor Dance Company in summer 2008. She is also a répétiteur for the George Balanchine Trust as well as a master teacher. Before teaching yoga, Janice worked as a technology investment analyst at a hedge fund, as well as a professional Broadway and ballet dancer. In the summer of 2017 some of his choreography was performed at the Joyce Theater in NYC and at Jacobs Pillow in Becket Massachusetts. 2, Tschaikovsky Suite No. Amos Machanic, Jr. (Miami, FL) is currently a Teaching Artist with Ailey Arts In Education & Community Programs. Professional Dance Instruction including classical ballet, pointe, jazz. Francis Patrelle serves as the Artistic Director for Dances Patrelle. Movement not only helps connect mind and body, but also brings the benefits of mindfulness to different aspects of our life. International festivals have selected some short films in which her compositions were featured. In addition to being a pianist, he is also a dancer, singer, and actor. Ms. Seravalli has worked with Guangdong Modern Company in Guangzhou, China, and was invited to teach at the University of Melbourne’s Victorian College of the Arts and at the Queensland University of Technology’s dance program in Brisbane, Australia. Michael Kooman is a composer and pianist living in NYC. Meaghan Maxwell holds a BFA in Dance Performance from Ohio State University. From 1991 to 1994, he was a principal dancer with the National Opera Ballet of the Ukraine, and toured with them to numerous countries, including France, Germany, Spain, Hungary, Egypt, Japan, Mexico, Canada, and the U.S. He served as Principal Dancer from 1998 until 2011. After moving to San Antonio and becoming a soloist for Ballet San Antonio, Christopher choreographed small works for students at the Connally’s Dance workshop, and the Ballet Conservatory of South Texas. Former professional ballerina and entrepreneur Rachel Hamrick, is originally from Williamsburg Virginia, where she began her classical ballet training with Sandra Balestracci. She trained at the School of American Ballet for five years before attending Barnard College of Columbia University. Kaileigh began her dance training in her hometown of Acton Massachusetts when she was 3. 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